FINLAND

Tom of Finland, aka Touko Laaksonen receives commemorative plaque outside his former home on 100th anniversary of his birth

NordenBladet – Finnish LGBT icon and celebrated erotic artist Tom of Finland, aka Touko Laaksonen, has received a commemorative plaque outside of his former Ullanlinna home today (22.Aug 2020), in celebration of the 100th anniversary of his birthday.

The plaque unveiling was organized by MSC Finland, a fetish group that has celebrated and promoted the artistry of Tom of Finland in Helsinki for more than 30 years. In attendance at today’s unveiling was Mr. Fetish Finland of 2020 and members of MSC Finland, as well as fans of his life and work.

Tom of Finland made an international name for himself producing his unique style of homoerotic art in the 1960s and 1970s, which received a positive reception in artistic and queer communities in New York, Los Angeles, and San Francisco. Today his work is protected and promoted via the Tom of Finland Foundation, a non-profit that is headquartered in his former home in the Echo Park neighbourhood of Los Angeles.

Laaksonen (1920-1991), lived at Tehtaankatu 7, where the plaque was unveiled, from 1969-1984. It was during this period where he was most prolific, producing some of his most well-known and celebrated works. The artist was also honoured with a pop-up exhibition of his posters at Alakulttuurikeskus Loukko.

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Touko Valio Laaksonen (8 May 1920 – 7 November 1991), best known by his pseudonym Tom of Finland, was a Finnish artist known for his stylized highly masculinized homoerotic art, and for his influence on late twentieth century gay culture. He has been called the “most influential creator of gay pornographic images” by cultural historian Joseph W. Slade. Over the course of four decades, he produced some 3,500 illustrations, mostly featuring men with exaggerated primary and secondary sex traits, wearing tight or partially removed clothing.

Early life
Laaksonen was born on 8 May 1920 and raised by a middle-class family in Kaarina, a town in southwestern Finland, near the city of Turku. Both of his parents Suoma and Edwin Laaksonen were schoolteachers at the grammar school that served Kaarina. The family lived in the school building’s attached living quarters.

He went to school in Turku and in 1939, at the age of 19, he moved to Helsinki to study advertising. In his spare time he also started drawing erotic images for his own pleasure, based on images of male laborers he had seen from an early age. At first he kept these drawings hidden, but then destroyed them “at least by the time I went to serve the army.” The country became embroiled in the Winter War with the USSR, and then became formally involved in World War II, and he was conscripted in February 1940 into the Finnish Army. He served as an anti-aircraft officer, holding the rank of second lieutenant. He later attributed his fetishistic interest in uniformed men to encounters with men in army uniform, especially soldiers of the German Wehrmacht serving in Finland at that time. “In my drawings I have no political statements to make, no ideology. I am thinking only about the picture itself. The whole Nazi philosophy, the racism and all that, is hateful to me, but of course I drew them anyway—they had the sexiest uniforms!” After the war, in 1945, he returned to studies.

Laaksonen’s artwork of this period compared to later works is considered more romantic and softer with “gentle-featured shapes and forms”. The men featured were middle class, as opposed to the sailors, bikers, lumberjacks, construction workers, and other members of stereotypically hypermasculine working class groups that feature in his later work. Another key difference is the lack of dramatic compositions, self-assertive poses, muscular bodies and “detached exotic settings” that his later work embodied.

Career

In 1956 Laaksonen submitted drawings to the influential American magazine Physique Pictorial, which premiered the images in the 1957 Spring issue under the pseudonym Tom, as it resembled his given name Touko. In the Winter issue later that year, editor Bob Mizer coined the credit Tom of Finland.[8] One of his pieces was featured on the Spring 1957 cover, depicting two log drivers at work with a third man watching them. Pulled from the Finnish mythology of lumberjacks representing strong masculinity, Laaksonen emphasized and privileged “homoerotic potentiality […] relocating it in a gay context”, a strategy repeated throughout his career.

The post-World War II era saw the rise of the biker culture as rejecting “the reorganization and normalization of life after the war, with its conformist, settled lifestyle.” Biker subculture was both marginal and oppositional and provided postwar gay men with a stylized masculinity that included rebelliousness and danger. This was in contrast to the then-prevailing stereotypes of gay man as an effeminate sissy, as seen in vaudeville and films going back to the first years of the industry. Laaksonen was influenced by images of bikers as well as artwork of George Quaintance and Etienne, among others, that he cited as his precursors, “disseminated to gay readership through homoerotic physique magazines” starting in 1950. Laaksonen’s drawings of bikers and leathermen capitalized on the leather and denim outfits which differentiated those men from mainstream culture and suggested they were untamed, physical, and self-empowered. This in contrast with the mainstream, medical and psychological sad and sensitive young gay man who is passive. Laaksonen’s drawings of this time “can be seen as consolidating an array of factors, styles and discourses already existing in the 1950s gay subcultures,” this may have led to them being widely distributed and popularized within those cultures.

U.S. censorship codes (1950s–1960s)
Laaksonen’s style and content in the late 1950s and early 1960s was partly influenced by the U.S. censorship codes that restricted depiction of “overt homosexual acts”. His work was published in the beefcake genre that began in the 1930s and predominantly featured photographs of attractive, muscular young men in athletic poses often shown demonstrating exercises. Their primary market was gay men, but because of the conservative and homophobic social culture of the era, gay pornography was illegal and the publications were typically presented as dedicated to physical fitness and health. They were often the only connection that closeted men had to their sexuality. By this time, however, Laaksonen was rendering private commissions, so more explicit work was produced but remained unpublished.

In the 1962 case of MANual Enterprises v. Day the United States Supreme Court ruled that nude male photographs were not inherently obscene. Softcore gay pornography magazines and films featuring fully nude models, some of them tumescent, quickly appeared and the pretense of being about exercise and fitness was dropped as controls on pornography were reduced. By the end of the 1960s the market for beefcake magazines collapsed. Laaksonen was able to publish his more overtly homoerotic work and it changed the context with “new possibilities and conventions for displaying frontal male nudity in magazines and movies.” Laaksonen reacted by publishing more explicit drawings and stylized his figures’ fantastical aspects with exaggerated physical aspects, particularly their genitals and muscles. In the late 1960s he developed Kake, a character appearing in an ongoing series of comics, which debuted in 1968.

Gay mainstream appeal (1970s–1991)
With the decriminalization of male nudity, gay pornography became more mainstream in gay cultures, and Laaksonen’s work along with it. By 1973, he was publishing erotic comic books and making inroads to the mainstream art world with exhibitions. In 1973 he gave up his full-time job at the Helsinki office of McCann-Erickson, an international advertising firm. “Since then I’ve lived in jeans and lived on my drawings,” is how he described the lifestyle transition which occurred during this period.

By the mid-1970s he was also emphasizing a photorealistic style, making aspects of the drawings appear more photographic. Many of his drawings are based on photographs, but none are exact reproductions of them. The photographic inspiration is used, on the one hand, to create lifelike, almost moving images, with convincing and active postures and gestures while Laaksonen exaggerates physical features and presents his ideal of masculine beauty and sexual allure, combining realism with fantasy. In Daddy and the Muscle Academy – The Art, Life, and Times of Tom of Finland examples of photographs and the drawings based upon them are shown side by side. Although he considered the photographs to be merely reference tools for his drawings, contemporary art students have seen them as complete works of art that stand on their own.

In 1979, Laaksonen, with businessman and friend Durk Dehner, co-founded the Tom of Finland Company to preserve the copyright on his art, which had been widely pirated. In 1984 the Tom of Finland Foundation was established to collect, preserve, and exhibit homoerotic artwork. Although Laaksonen was quite successful at this point, with his biography on the best-seller list, and Benedikt Taschen, the world’s largest art book publisher reprinting and expanding a monograph of his works, he was most proud of the Foundation. The scope of the organization expanded to erotic works of all types, sponsored contests, exhibits, and started the groundwork for a museum of erotic art.

Laaksonen was diagnosed with emphysema in 1988. Eventually the disease and medication caused his hands to tremble, leading him to switch mediums from pencil to pastels. He died in 1991 of an emphysema-induced stroke.

Reception
With the decriminalization of male nudity, gay pornography became more mainstream in gay cultures, and Laaksonen’s work along with it. By 1973, he was publishing erotic comic books and making inroads to the mainstream art world with exhibitions. In 1973 he gave up his full-time job at the Helsinki office of McCann-Erickson, an international advertising firm. “Since then I’ve lived in jeans and lived on my drawings,” is how he described the lifestyle transition which occurred during this period.

By the mid-1970s he was also emphasizing a photorealistic style, making aspects of the drawings appear more photographic. Many of his drawings are based on photographs, but none are exact reproductions of them. The photographic inspiration is used, on the one hand, to create lifelike, almost moving images, with convincing and active postures and gestures while Laaksonen exaggerates physical features and presents his ideal of masculine beauty and sexual allure, combining realism with fantasy. In Daddy and the Muscle Academy – The Art, Life, and Times of Tom of Finland examples of photographs and the drawings based upon them are shown side by side. Although he considered the photographs to be merely reference tools for his drawings, contemporary art students have seen them as complete works of art that stand on their own.

In 1979, Laaksonen, with businessman and friend Durk Dehner, co-founded the Tom of Finland Company to preserve the copyright on his art, which had been widely pirated. In 1984 the Tom of Finland Foundation was established to collect, preserve, and exhibit homoerotic artwork. Although Laaksonen was quite successful at this point, with his biography on the best-seller list, and Benedikt Taschen, the world’s largest art book publisher reprinting and expanding a monograph of his works, he was most proud of the Foundation. The scope of the organization expanded to erotic works of all types, sponsored contests, exhibits, and started the groundwork for a museum of erotic art.

Laaksonen was diagnosed with emphysema in 1988. Eventually the disease and medication caused his hands to tremble, leading him to switch mediums from pencil to pastels. He died in 1991 of an emphysema-induced stroke.

Cultural impact and legacy
In the late 1980s, artist G. B. Jones began a series of drawings called the “Tom Girls” that appropriated Tom of Finland’s drawings. The drawings were done in the style of Tom of Finland and based on his drawings, but featured punk girls or other subculturally identified women. However, unlike Tom’s drawings, in Jones’ work the authority figures exist only to be undermined, not obeyed. The two artists exhibited their work together in New York City in the early 1990s.

In 1995, Tom of Finland Clothing Company introduced a fashion line based on his works, which covers a wide array of looks besides the typified cutoff-jeans-and-jacket style of his drawings. The fashion line balances the original homoeroticism of the drawings with mainstream fashion culture, and their runway shows occur in many of the venues during the same times as other fashion companies.

In 2009, Laaksonen was inducted into the Leather Hall of Fame.

Some of his original works are at the Leather Archives and Museum.

Exhibitions
New York’s Museum of Modern Art has acquired several examples of Laaksonen’s artwork for its permanent collection. In 2006, MoMA in New York accepted five Tom of Finland drawings as part of a much larger gift from The Judith Rothschild Foundation. The trustee of The Judith Rothschild Foundation, Harvey S. Shipley Miller, said, “Tom of Finland is one of the five most influential artists of the twentieth century. As an artist he was superb, as an influence he was transcendent.” Hudson, of Feature Inc., New York, placed Tom of Finland’s work in the collections of Rhode Island School of Design Museum of Art and Art Institute of Chicago. His work is also in the public Collections of: The Museum of Contemporary Art (MOCA), Los Angeles, USA; Wäinö Aaltonen Museum of Art; Turku, Finland; University of California Berkeley Art Museum, Berkeley (California), USA; Los Angeles County Museum of Art, Los Angeles, USA; Kiasma, Museum of Contemporary Art, Helsinki, Finland; San Francisco Museum of Modern Art, San Francisco, USA; and Tom of Finland Foundation, Los Angeles, USA.

In 1999, an exhibition took place at the Institut Culturel Finlandais (Finnish Cultural Centre) in Paris.

In 2011 there was a large retrospective exhibition of Laaksonen’s artwork in Turku, Finland. The exhibition was one of the official events in Turku’s European Capital of Culture programme.

In 2012, Kulturhuset presented a retrospective, Tom of Finland, in Stockholm, Sweden; and Tom of Finland’s work was in the Robert Rauschenberg Foundation’s We the People in New York City, USA.

In 2013, MOCA presented Bob Mizer & Tom of Finland in Los Angeles, USA. The artist’s work was also seen in HAPPY BIRTHDAY Galerie Perrotin – 25 years in Lille, France; Leslie Lohman Museum’s Rare and Raw in New York City, USA; and the Institute of Contemporary Art’s Keep Your Timber Limber (Works on Paper) in London, England.

In 2015, Artists Space presented the exhibition “Tom of Finland: The Pleasure of Play” in New York City, USA. The exhibition was also presented in Kunsthalle Helsinki in 2016, complemented with additional material such as photos from family albums.

In 2020, as part of the 100th birthday celebrations, “Tom of Finland: Love and Liberation” at London’s House of Illustration showed 40 originals with ephemera emphasizing fashion as an aspect of his work.

Featured image: Finnish LGBT icon and celebrated erotic artist Tom of Finland, aka Touko Laaksonen, has received a commemorative plaque outside of his former Ullanlinna home (NordenBladet)

Finland: Second coronavirus wave has already started in Finland, says CEO of the Hospital District of Helsinki and Uusimaa (HUS)

NordenBladet – Juha Tuominen, the CEO of the Hospital District of Helsinki and Uusimaa (HUS), said on YLE’s A-studio on Wednesday that the second wave of the new coronavirus has already hit Finland.

“I’m personally of the view that the second wave has already started. It started after the first week of July. Before that, infections were dropping steadily, but after that infections have been rising steadily,” he stated.

Tuominen estimated that the increase stems from people moving, travelling, meeting and communicating with each other more often. “We’re seeing that the increase in infections is linked especially to these kinds of activities,” he told. “You don’t have to be much of a predictor to guess that if we continue on the same track, the number [of infections] will continue growing.”

He reminded that the early stages of the epidemic demonstrated that the virus is capable of spreading at a considerably higher rate than currently, meaning some counter-measures are required to prevent the situation from getting out of control.

“If we continue on the current track, we’ll have a problem on our hands in a month. We have to do something to break the upward trend,” he underlined.

The guests of the topical talk show also included Krista Kiuru (SDP), the Minister of Family Affairs and Social Services. The Finnish government, she assured, will issue a recommendation that people wear face coverings in public places but added that wearing one will unlikely be made mandatory.

The Finnish Institute for Health and Welfare (THL) will need a few more days to formulate the recommendation carefully, according to Kiuru.

EXHAUSTIVE OVERVIEW: who were the ancient Scandinavian origin Vikings and when was the time of the Vikings?

NordenBladet – The Vikings were ancient Scandinavian origin seafarers whose characteristic culture flourished around the 8th until the 11th century (the so called Viking Era). The name “Viking” apparently stems from ancient Nordic word vik that stands for gulf; viking therefore is someone from the gulf, a seafarer. Although the vikings have given their name to an entire era, these warrior-seafarers made up a relatively small proportion of the population of those times, the majority of the people were peaceful farmers. According to yet another theory the name viking comes from old English word wic that stands for a merchandising settlement. Besides the conquering missions the vikings were also engaged in handicraft and trade.

The Vikings were skilled boat builders; their dragon longboats’ board and square sail guaranteed a safe journey on the sea during those times. The trips took them to Iceland, Greenland and North-American shores. Before the dawn of great discoveries the Vikings had a significant role to play in exploring novel lands, however, the word about their travels weren’t widely spread, since they didn’t complete surveys nor create any maps based on measurements.

The Vikings that set sail for Eastern lands were also known as the Varangians. Their activity spread as far as the Byzantine and they played an important political role in the development of the Kyiv-Russian state. On the coast of France the Varangians were known as the Normans.

The Viking trips were also conveyed (especially during the 11th-12th centuries) by Estonians, especially folks from Saaremaa.

Due to weak political arrangements, the spread of Christianity and the development of warfare the Vikings remained in the shadow in 12th century Europe. They founded their settlements here and there and blended in with the local people.

Interest for the activities of Vikings was kindled once more in the Romanticism period when they were depicted as non-historically idealised madly courageous great warriors. Based on influence of recent popculture (movies, comic strips, etc) a rather incorrect image of Viking activities, outlook and lifestyle was spread. Nowadays the followers of ancient Viking Era copy the material and intellectual heritage in their daily life, in Viking camps, festivals, in open air museums and theme parks.

The Norse race being depicted in a mythical and untrue manner gave way to national socialist ideology. A section of the admirers of Vikings have summoned under odinism, asatra, wotanism and other neopaganist religious sects. Extremist ideology and seeking confrontation has lead to serial burning of churches in Norway by the fan of vikings Varg Vikernese.

In the period of 300 years, roughly from 800 – 1050 A.D., central Europe was held under terror by wild men from the Nordics – the Viking warriors. The ambition to collect more silver and gold, slaves and new territioris drove the Vikings to set sail and depart from their homes in current Norway, Denmark and Sweden. Their unexpected and cruel bursts of robberies were legendary; Christian monks described with great horror the looting raids and destruction that befell the wealthy monasteries and towns.

But the Vikings did more than destroy. They were also smart traders, experienced sailors, skilled handicraftsmen and ship builders. They lived in the world of poets and sagas, in daily life matters their society was significantly open and democratic in the context of those times.

Most of us have stumbled upon romantic images of Vikings as ancient Nordic heroes. Unfortunately the majority of these depictions are flawed. The best example would be the wide spread idea of tall males wearing helmets with horns and sitting in dragon-headed ships. As a matter of fact the Vikings never wore helmets with horns, their males were 165 cm tall and females 154 cm tall. The majority of the Vikings were peaceful farmers, just a small portion were active in seafaring, trading and raids. The Scandinavian Viking Era and the corresponding time period in the Baltics – younger Iron Age – have been less available to the wider audience due to limitations set by the Soviet Rule regarding depictions of prehistory.

The unfamiliar articles found from Estonia, especially Saaremaa, the ports and fortresses one finds there are a sign of a society that was same level with the organised neighbouring countries and where seafaring and trade – obviously also piracy – played an important role. There is no depiction of Scandinavian journeys to the East without paying any attention to ancient inhabitants of Saaremaa, Courland and other east coast Baltic Sea inhabitants. Using the notion “Viking” in the broader sense we can with great certainty speak also about Estonian Vikings.

Viking raids
The Vikings traveled, traded and raided all over Europe, reaching in the East to Baghdad and in the West even to America. Iceland was discovered in the year 870 and Greenland in the year 985. The Viking Leif Eriksson was probably the first European to set his foot on American soil in Newfoundland, today’s Canadian territory, and did that already back in the year 1001.

The conditional start time of the Viking Era is taken to be 793 when the warriors, unexpectedly arriving from the North, raided Lidisfarne monastery on an island on the north-eastern coast of England. Such wickedness was a shock to the entire Christian world. Still the raids organised by northern pagans remained not the last, instead for a few centuries these activities became a horrible reality in Western Europe.

The Vikings navigated the long European rivers Rhine, Seine and Loire – as far as Paris. On Easter 845 Paris was raided; the unwelcome guests would leave after king Charles of France paid the Vikings 3150 kg of silver. On top of that the Viking leader Ragnar took as a souvenir a piece of the town gate. Probably to the comfort of the citizens – Ragnar as well as most of his men died of unexpected circumstances on their way back home.

The Vikings started to spend the winter in places they raided and the conquerings would thus extend to many years sometimes. Still a few more years and the Vikings that had stayed in Normandy and Northern England, blended in with the local people and took over the local language.

Vikings on the Eastern roads
The Eastern Vikings, also known as the Varangians, sailed over the Baltic Sea as well as along the long Russian rivers towards southern lands. The destination of many of the journeys of those times were the richest countries of the world they lived in – the Byzantine Empire’s capital city Constantinople (current Istanbul) and the Arab Caliphate’s capital city Baghdad, yet the Vikings also reached Jerusalem and even further. The Byzantine emperor’s security team was made up of Vikings, still it has to be emphasized that among the names of those men that have survived until our times there are also many Finno-Ugric and Baltic names.

According to preserved tradition and the Russian Letopis Chronicles the Varangians mainly stemming from today’s Sweden founded in the year 862 the Old Russian Empire. In North-Western Russia their main centre was Novgorod, Old Ladoga and Izborsk. The existence of the Viking upper class in these settlements as well as around Kyiv is supported by the many Scandinavian style burials.

Apparently the trade channels leading to the Orient were administered by Baltc Finns and the Baltic nations. This was the so-called East Road, Austervegr, though which the Eastern spices and silver poured in to Europe, and back to the Eastern countries the European fur, wax and slaves.

Three routes sprang from the Baltics, that through the Russian rivers connected the East and West. The first of them reached from central Sweden to the Aland Islands, from there along the coast to today’s Helsinki and went on along the Finnish coast to Ladoga. The second route sprang from Saaremaa, went up along Pänu River and River Emajõgi, through smaller water bodies until Lake Peipsi and from there to on Russia. The rich findings of treasures and oldest towns of Estonia on this road speak of its highest importance among the three routes. The third route went along Väina River to Russia.

Estonia in the Viking times
Although the Vikings founded their colony settlements to the territories of today’s Russia and Finland’s west and east coast, they weren’t successful in settling in the Baltics. Nevertheless the majority of important trade routes ran along the coast and rivers here. Probably the reason for this is that in the Scandinavian chronicles describe the activity of the men on the eastern route that never let the Swedish Vikings settle in with their trade centres here. The seafarers in Saaremaa and Courland turned out dangerous for the little countries that emerged in Scandinavia in the 11th and 12th centuries, often romantically referred to as the Estonian (resp Latvian) Viking Era.

The clearest evidence about the treasures pouring through Estonia is the silver buried in the ground, the abundance of which is comparable only to Gotland in the Baltic Sea region. All of the archaelogical findings here refers to strong connection to Swedish Vikings as well as Russian Varangians.

Evidence of ancient Estonians as full feathered members of the Viking world are traced from plenty of burial findings. Of course, with jewellery and weapons only the richest members of the society were buried, as well as the leaders of regions and villages and their families. The weapons and jewellery that were burnt together with the deceased, were sometimes of Scandinavian origin or prepared on the spot after the patterns from there. Most international have been the weapons, which is understandable, since in war one would need to remain on the same level as the neighbour. Also men’s accessories and probably also clothing were in Estonia quite similar to those in the Nordics. This refers to the shared world view – an understanding about what is suitable for a wealthy warrior regarding weapons and accessories was similar on the eastern as well as the western coast of the Baltic Sea.

Vikings – the rulers of the world
The Vikings were skilled and brave seafarers. With their long wooden ships they also sailed across the stormy ocean. On sea the Viking boat mainly moved with the help of a big rectangular sail, close to the shore and also on rivers the mast was lowered and men started rowing. Whenever possible, the Vikings sailed close to the shore in seeing distance and in daylight. When crossing the ocean they used the Sun and stars for navigation. To find the right direction, they carefully paid attention to the wind, seabirds, and the character of the waves.

The best preserved Viking boats have been found in the rich Viking captains burials, the best known to name a few are Oseberg and Gokstad ships in Norway. Although the wood has decayed in these cases as well, the boat structure can be restored based on the preserved iron parts. A lot of pictures depicting drakar ships have preserved.

Nowadays enthusiasts from Scandinavian countries have rebuilt many Viking boats and have even traveled with these on the original Viking raid routes.

When will the Estonian own Viking boat be discovered?
This is the question that has excited everbody around here that has done research on ancient times. It is known to archaeologists that during the Viking Era the dead were burnt sometimes in the boat, as in Scandinavia, but non-burnt ships have not been found from Estonian burials. Who knows, maybe there is a shipwrecked Viking boat waiting to be found by someone near the shore or perhaps today already on the mainland. The ground has risen during the last couple thousand years so significantly that in several Viking Era harbors people today cultivate the field.

The chronicle writer Henry of Latvia has mentioned that Estonians used to have two types of boats – piratica and liburna. The first of these was a war boat, the other was mostly a trade boat. The war boat accommodated ca 30 men, it had a tall bow, probably dragon or snake shaped, and a rectangular sail. The boats of Estonian Vikings were thus similar to the Scandinavian ones, there were however obviously some differences in the building details.

The oldest wrecked ships found from Estonian waters originate from the 13th and 14th centuries and these have been discovered in Pärnu and in Saaremaa Mailinn town. From Riga a wrecked ship from the 12th or 13th century has been discovered, and according to the Latvian experts it might have been built in Courland or Saaremaa.

In Estonia, the underwater archaeologist Vello Mäss has done research on boats and shipping, lately he has authored and published a book on that topic. Illustrations and details from that book have been used in the current overview as well.

Vikings as warriors
Individual courage was a feature most valued by the Vikings. The warriors had to be ready to follow their captain or king to battle, raid or trade journey at any time. It was only in war that one could gain eternal glory and it was everybody’s dream to fall in battle, armed. The warriors that died in that manner were expected to proceed to Valhalla, where they could for ever do the things most pleasant for them: eat, drink, celebrate and fight in battle.

Estonian Vikings in Scandinavian sagas
Estonians as well as Estonian seafarers have been mentioned in the Scandinavian sagas as well as other written sources several times. Oftentimes it is the vague “Eastern route men”, that included also Estonians, mostly men from Saaremaa, and Courland men. Estonia or its various parts have been mentioned on many runestones, announcing the stay or the local death of a memorable person.

According to a Snorri Sturlusoni saga the King of Sweden Erik had organized in the years 850-860 many raids to the Eastern shores of the Baltics, including Estonia, conquering these territories.

In the year 967 the then 3-year-old King of Norway Olav Trygvesson traveled with his mother Estrid together with merchants to Novgorod to Estrid’s brother Sigurd, when they were attacked by pirates. Olav ended up being separated from his mother and was sold together with two mates, Torulfi and Torgils, to a cruel Estonian named Klerkon, who put Torulfi to death because of him being weak. Olav and Torgils in turn were traded for a good goat.

The new owner of the boys Klerk sold them again to a family of generous Estonians, to master Reas and mistress Rekon. Olav grew up in Estonia and was set free six years later when his uncle noticed him by chance at the market and bought him and Torgils back. Mother Estrid was set free still some years later.

Njalli saga songs mention a sea battle between Icelandic Vikings and Estonians somewhere near Saaremaa in the year 972. The writer referred to Estonians as the Estonian Vikings and their boats as warboats.

The Varangian Ulf (Uleb) coming from Novgorod was destroyed according to Novgorodian chronicles apparently at a sea battle near today’s Tallinn near the Iron Gate.

According to the chronicler Saxo Grammaticus the Courland men and Saaremaa men raided the Danish territory in 1170. Estonian pirates were probably among the “Eastern route men” that destroyed Central Sweden’s capital Sigtuna. Henry of Latvia repeatedly described raids to Scandinavia led by men from Saaremaa in the beginning of the 13th century, as well as the sea battles with men from Saaremaa on the Eastern shore of the Baltic Sea.

Fortresses
When comparing the anciend cultural landscape of the Eastern and Western coast of the Baltic Sea, it strikes us that there is an abundance of fortresses on the Eastern coast. This tendency can be observed already back in the Bronze Age, yet only in the Viking Era the number of fortresses becomes especially outstanding. In the Viking Era the parishes emerged that in later times were functioning as administrative and ecclesiastical territorial units. In the parish centres, later near the church, the fortresses can be found. The fortresses were the centres for centralised power and served as the residence of the local well-off nobleman.

The fortresses became especially strong in the 11th century when some of the earlier fortresses were abandoned and new fortresses were built near them. Just like some other phenomena, this was a feature that indicated important socio-political changes in Estonia in those days; probably greater segregation and the centralization of power.

During archaeological excavations it has become clear that the fortresses were constantly in use. In one of Estonia’s largest fortresses, Varbola, the remains of more than 70 buildings have been found. The houses were built from cross beams, in the corner was the stove. The houses of noblemen have not been distinguished from among other buildings since the fortresses have been only partly examined.

Clothing in the Viking Era
The clothes of Estonian men during the Viking times strongly resembles the Scandinavian clothing of those times, there is especially significant similarity with Gotland’s and Central Sweden’s Vikings. The complete outfit included woollen pants, long linen or woollen shirt and cloak extending to the knees. The collar and the edges of the cloak or the coat were often decorated with bronze spirals.

Belts, as well as sword belts were decorated with bronze nails. The belt always included a bronze lining sheath with the knife.

Different from the Scandinavian Vikings the Estonian men used to wear rather many rings on their fingers, also bracelets. While the Baltic warriors had special war bracelets then Estonian men mostly wore the same type of bracelets as women (only the spiral bracelets and the Saaremaa type bracelets never occur in male burials).

In the earlier times of the Viking Era men used to fasten their cloaks with ring head jewellery needles. In the 10th century the brooches became only a male type jewellery and men began to fasten their coats and shirts with horse shoe shaped pins.

There is little information about male headgear. In the Livonian burials there are sometimes hats with leather and cloth decorations with bronze spirals.

Armory of the Vikings
Most of the Viking Era arms that have been found in Estonia represent an international variety of weapons. Still it is possible to bring out some characteristic features. Fully preserved swords have rarely been found in Estonian burials, mostly they are fragments of the sword handle. All the swords though that have been found represent the type mostly common in Scandinavia.

Most frequently spear heads can be found in the burials, the types of which greatly vary from the very luxurious imported articles to plain local production. Oftentimes the throwing spear and stabbing spear heads are found together. An abundance of throwing spear heads have been found from Estonia. In some burials hatchets have been found.

Henry of Latvia speaks of marching troops armed with spears and mentions throwing spears that came with special equipment for throwing them. From many burials archaeologists have found equipment of cavalry. It is obvious that the noblemen fought in battle on horseback with swords and infantry used throwing and stabbing spears.

The findings from burials can mostly vaguely be connected to the common usage of weapons. Often spear heads are found near the burials, sometimes also remains of shield cups, these have probably been cast there during some kind of a ritual held within the funeral procedure or after it. Apparently the addition of the shield in the burial wasn’t common. Arrow heads are rare, but in Livonian burials there are often remains of shields as well as arrow sheaths.

Arms, especially the sword, are glorified in many Scandinavian sagas, the best of them were even named. Good arms, like damask covered sword blades and spear heads were very expensive. The most luxurious arms were decorated with silver wire or thin layer of silver or gold, with complex engraved ornaments.

Women’s clothes
Like in the neighbouring countries the clothing of women in Estonia included linen shirt (woollen in winter), covered by woollen tunic without sleeves. In Southern Estonia were the influence of Latgales was greater, instead on the tunic dress-coat a rug shirt was common.

For festive occasions and during colder periods women used to wear manyfold woollen rugs that were decorated on the edges with woven horsehair and sewn-in bronze spirals and colourful ribbons. The rugs were wrapped around the shoulders and held together with horse shoe shaped brooches.

The abundance of bronze spirals in the Viking Era female burials is significant. The spirals were decorating the shirts, the rugs, the headscarfs. The embroidery has not preserved.

A leather or woven belt was worn around the waist. Leather belts were decorated with bronze pins and a keychain along with a knife sheath was attached to the belt, decorated with a bronze layer. The belt had historically been among the most important components also in a magical context. It was believed that the belt had magic powers that safeguarded the owner; older verse describes maidens weaving belts (a motive symbolizing the thread of life). The belt was frequently worn also during the night, even expecting girls had to wear a belt (it kept them safe from the evil eye).

Headgear decorated with bronze spirals and scarfs with bronze patterns were common all around Estonia. It was required that wed wives not left the house with their heads uncovered, this was already common in the Viking Era (there was a similar tradition in Scandinavia). This requirement has been associated with the necessity to distinguish the woman with a symbol of marital status as well as with the belief widely spread in pre-industial society, that the hair of women sexually related to a male possessed power and that these powers were to be controlled (i.e. the hair was to be cut or hidden).

The most significant adornment that women in the 11th century Estonia wore, was certainly the bosom decoration that was composed of chains, pins and the holders.The lenght and number of the chest jewellery depended on the wealth of the owner, but most of the Viking Era female burials include at least some fragments of the chest jewellery. In the early Viking times the pins were rather modest; from the 10th century on the pins bacame bigger and the chains longer and heavier. Pendants and bells were often attached to the chains.

Wealthier women had many neckrings simultaneously as well as up to ten bracelets. The Viking time Estonia was rich in several types of bracelets, just the spiral bracelet was common all over the country. Rings were also of many types, worn by women as well as men. The typology of brooches is also versatile; brooches were used for holding together the rug and shirt neck.

Women’s adornments can roughly be divided in two: Saaremaa and Läänemaa regions as opposed to Eastern Estonian adornments. In Saaremaa and Läänemaa in the Western part there were various trianguar chest pins and a certain type of bracelets and neck rings. In Eastern Estonia chest jewellery was not used at all in earlier Viking times, therefore it can be concluded that instead of the tunic held by brooches the Eastern women wore rug skirts. Eastern Estonian type of adornments (with cross-head) became wide spread only in the 11th century. The variety of bracelets and neck rings is larger in Eastern Estonia than in Läänemaa.

Women and children of Vikings
In the Middle Ages the Viking women had more autonomy than their sisters in Europe. The woman ran the household and directed the domestic arrangements, especially when men were away for the long journeys. The female type and male type responsibilities were strictly separated in those times and the border was well established. Although in the Scandinavian legends one can find the valkyries, the female warriors, no trace of actual data about the existence of female warriors has been confirmed.

Differently from the Scandinavian tradition, on the Eastern coast of the Baltic Sea there are occasionally female burials with arms, either as tools or symbols of their status. The knife in the sheath with plenty of bronze decorations intimately belonged to the festive gown of Estonian women.

Every Viking woman spent the day spinning with the spindle. It was enormous effort to produce thread from the wool or cotton, that thereafter was woven to cloth on vertical looms. On images that have been preserved until our times, the women of the Viking Era are oftentimes holding a spindle.

Equally many female and male burials are known from the Viking times. At first glance there seem to be more of the wealthy female burials, but this is because women wore more adornments.

It is generally believed that the burial traditions reflect the beliefs and the worldview of the society. Rich contributions in burials in the Viking times in female burials refer to the important role of women in their society, the status was a sum of the woman’s as well as the husband’s position in the society.

Bone material that has poorly preserved due to burning won’t allow determining the age of the deceased and thus it is difficult to say whether it was the maidens or the wed wives with the most contributions (in other words: if it was the parents or the husband more important in the society). In later period of younger Iron Age the maiden’s burials are more modest as compared to those of wives.

From some of the female burials in Saaremaa weights have been found. Similar burials are also in Scandinavia. Some scientist interpret this as the reference to women’s inclusion in trade, some only relate these to status. Probably women had more roles tp play than just running the household, since men were most of the time away from home in battle and trading.

The Arab traveller, visiting Hedeby town in Southern Scandinavia around 950 A.D., wrote of women there that loved to accentuate the beauty of their eyes with dark shades defining the eye. The same was observed in many Viking men. Also adornments were worn by men and women equally.

The Viking people had many children, but more than half of the children died in early age. It has been estimated that just three out of ten babies lived to their first birthday.
Also the mean age of women was less than in men, since many of the young women died while giving birth.

The Viking kids grew at home, where they learned to work by observing their parents and fellows. In Scandinavia, but perhaps also in Estonia it was common to give sons of elders to be a foster child in another elder’s family for some time.

At an early age boys began learning how to use arms, in the beginning these were wooden arms and later actual arms. From burials of young boys miniature copies of actual arms have been found.

When the Vikings stayed in foreign land for a longer period, they brought their wives and children along. This was how the Scandinavian colonies were formed, the members of these blended with the local people after a few generations.

Read also:
Stockholm´s museums: The Viking Museum – tourist info, guides, pictures
NordenBladet – For those, who are interested in Norse mythology and wish to experience the Viking age, I recommend to visit The Viking Museum in Djurgårdsvägen 48, 115 21 Stockholm. In the exhibition, several guided tours are held daily in Swedish and English. Audioguide and adventure ride is available in English, Russian, Finnish, Italian, French, Spanish German, Chinese and Swedish.

Viking is ‘forefather to British royals’? Norwegian-French investigation hopes to reveal that Norwegian Viking noble Ganger Hrólf was the same person as Rollo, the first Duke of Normandy
NordenBladet – A joint Norwegian-French investigation hopes to reveal that Norwegian Viking noble Ganger Hrólf was the same person as Rollo, the first Duke of Normandy – and the forefather of the British royal family.

Finland: Mairéad McGuinness: We need parliamentary cooperation now more than ever

NordenBladet – Ms Maireád McGuinness, the First Vice-President of the European Parliament, participated in the plenary meeting of COSAC in Helsinki on 1 – 3 December.

McGuinness appreciated the dialogue in the conference: “People were getting involved, lots of questions, lots of answers, lots of time to reflect.”

After the discussions, she reminded about the benefits of parliamentary cooperation.

“What you realise is that as you talk to colleagues from all over Europe and outside, we share common problems, and that makes finding common solutions much easier”, she said.

“The issues we face today are very challenging and if we don’t act, the results will be very damning so we need parliamentary cooperation now more than ever.”

Source: Eduskunta.fi

Finland: COSAC adopted contribution on the negotiations concerning the MFF, overseeing compliance with the rule-of-law principle, and EU climate action

NordenBladet – LXII COSAC, the conference of the committees of Member State parliaments dealing with EU affairs, as well as of representatives of the European Parliament, ended in Helsinki earlier today. The conference sessions held on Monday and Tuesday covered topics such as the Finnish EU Presidency, strengthening of the rule of law and citizens’ fundamental rights, as well as EU climate action.

The participants also exchanged views on topical issues based on speeches from Maroš Šefčovič, Vice-President of the European Commission, and Michel Barnier, Head of the Task Force for Relations with the United Kingdom.

Based on the discussions, COSAC adopted the Contribution of the LXII COSAC, covering issues such as the EU’s Multiannual Financial Framework (MFF), fundamental rights and the rule of law, EU climate action, and the EU’s future relationship with the United Kingdom.

Regarding the MFF, COSAC hopes for significant progress at the December 2019 European Council, draws attention to ensuring, for example, that all Member States’ nominal budget targets are balanced against the expected benefits of mutually agreed investments in the future, as well as stresses the need for new mechanisms to protect the financial interests of the Union, for example, when they are jeopardised by disrespect for the rule of law. COSAC recalls that late adoption of the MFF means delayed implementation of the related programmes.

According to the COSAC Contribution, the principle of the rule of law is fundamental to the EU’s legitimacy in the eyes of its citizens. As all Member States have committed to uphold the rule of law, they all should also accept transparent and impartial monitoring and peer review of the condition of the rule of law in the Member States.

With respect to the EU climate strategy, COSAC calls upon the European Commission and the European Council to maintain the EU’s established role as a front-runner in climate policy and to step up the EU’s ambition level in this regard. According to the COSAC Contribution, the EU should raise its climate objective so that the EU can achieve carbon neutrality before 2050.

Regarding the EU’s future relationship with the UK, COSAC notes that as the transitional period following Brexit day agreed in the withdrawal agreement is very short, it is important that all parties commit to negotiate on the future relationship with the maximum of efficiency and good will. Furthermore, COSAC hopes for the closest possible future relationship between the UK and EU that is compatible with both the integrity of the Union and the interests of both parties.

Finland: Speaker Matti Vanhanen opened the COSAC meeting in Helsinki

NordenBladet – Matti Vanhanen, Speaker of the Finnish Parliament, opened COSAC, the conference of the committees of Member State parliaments dealing with EU affairs, as well as of representatives of the European Parliament, in Helsinki earlier today.

Vanhanen reminded the participants of the important role of parliaments when referring to the discussion about the conference on the future of the EU proposed by Ursula von der Leyen, the new President of the European Commission:

‘An extensive conference or convention would be in a position to draft a proposal based on comprehensive preparation, while the power and democratic legitimacy would still remain in the hands of those elected by the citizens, i.e. the European Parliament and Member State parliaments, who are responsible for overseeing government operations.’

Vanhanen would also like to see institutional issues on the agenda of the conference on the future of Europe. However, he thinks that such issues should be handled cautiously and with patience.

According to Vanhanen, even when planning positive changes to the institutional organisation, it is necessary to consider how much time and energy the EU can allocate to the related processes without compromising the management of financial, employment, climate or other important substance matters.

‘In the eyes of the citizens, the legitimacy of the European Union is ultimately based on the content of its action, i.e. whether the EU is capable of guaranteeing internal security, well-being and stability. This is something we must strive to enhance every day. If we must, we may have to accept some imperfections in our institutional organisation if the organisation is otherwise sufficient to produce the maximum added value to the citizens.’

A live streaming of the COSAC sessions is available from parleu2019.fi, the official website of Finland’s Presidency of the Council of the European Union.

GALLERY & WINNERS: Nordic Council’s festive awards gala in Stockholm concert hall

Nordic Council Awards Ceremony 2019

NordenBladet – Yesterday evening, on Tuesday 29 October 2019 awards were handed out in Sweden in Stockholm’s concert hall (Stockholms konserthus, Hötorget 8) at a festive awards gala held by the Nordic Council. Every year the Nordic Council also announces five prizes: the prize for literature, film, music, environment as well as children’s and youth’s literature. Besides the acknowledgement the winner also receives a monetary prize of 350 000 Danish kroons.

 

https://www.instagram.com/p/B4Nz_S9nOny/

nrpriser

This year’s festive awards gala was opened by welcoming speeches from the Swedish parliament speaker Per Olof Andreas Norlén, the Nordic Council of Ministers’ president Hans Wallmark and the Nordic Council of Ministers’ vice-president Gunilla Carlsson, what even added to the festive atmosphere by giving a fantastic concert was the Västerås Symphonic Orchestra with conductor Cathrine Winnes. The event was hosted by Swedish literary critic and television host Jessika Gedlin.jhjh The other performers at the concert were Emilia Amper (a well-known Swedish folk musician and Key Fiddle player), El Sistema Södertälje children’s orchestra, The Mamas (a female trio with members Loulou LaMotte, Dinah Yonas Manna and Ash Haynes), the cellist Johanna Sjunnesson and the Islandic duo Hugar ( Pétur Jónsson, Bergur Þórisson).

First of all the 2019 prize for children’s and youth’s literature was announced (The Nordic Council Children and Young People´s Literature Prize 2019). The prize and the nominees were introduced by Swedish prime minister Stefan Löfen. The winner was 44-year-old Norwegian writer and illustrator Kristin Roskifte. The prize-winning book was “Alle sammen teller” (“Everybody counts”).

Põhjamaade Nõukogu auhinnagala
Põhjamaade Nõukogu auhinnagala

The second announced prize was the Nordic Cuncil’s Music Prize 2019. The prize and the nominees were introduced by Finnish conductor and cellist Susanna Mälkki. The music prize winner was the Islandic instrumentalist Gyða Valtýsdóttir. Valtýsdóttir was so moved about winning the prize that a quiver of hands was visible during the acknowledgement speech. With a softest of voices she said that the person behing her success story was her mother.



The third prize to be announced was the Nordic Council Environment Prize 2019. The prize and the nominees were introduced by the European Youth Parliament member Noura Berrouba. The winner was 16-year old Swedish climate activist and founder of the movement “Fridays for Future” Greta Thunberg. The audience applauded to Thunberg already when the nominees were announced. Thunberg helself however was not attending the event since at that time she was in California. On behalf of her the fellow activists got the floor and read out loud Thunberg’s letter that included a thank you as well as the message that she will decline the prize. “I want to thank the Nordic Council for this award. It’s a great honour. But the climate movement needs no more prizes. What we need is for those in power and politicians to listen to research,” she announced. The Nordic Council’s president Hans Wallmark stated on the Norden.org page that he honours the decision that Greta Thunberg has made and that is is being decided what will be done with the prize sums (read more about Greta Thunberg prize and declining the prize sums HERE).


Miljöpris 2019

Fourth, the Nordic Council Film Prize 2019 was announced. The nominees were introduced and the prize was handed out by Norwegian actress Lena Cecilia Sparrok. The prize went to Danish drama film “Queen of Hearts” (original title: Dronningen). Film director and screenwriter May el-Toukhy, screenwriter Maren Louise Käehne, film producers Caroline Blanco and Rene Ezra.


filmpris 2019
filmpris 2019 dronningen

The fifth prize, the Nordic Council Literature Prize 2019 was introduced and announced by Swedish poet and writer Johannes Anyuru. The prize went once more to Denmark. The winner of the prize was 28-year old Jonas Eika Rasmussen with his novel “Efter Solen”. However, Jonas Eika brought quite some anxiety to the concert hall. While holding his acknowledgement speech he took advantage of the situation to blame the current government. In the two-page speech that he had prepared, he blamed the Danish prime minister Mette Frederiksen who at the time was seated just a few meters away in the hall, he spoke of capitalism, racism, and need for radical changes in the Nordic countries.



A fine ending to the prize gala 2019 of the Council of Ministers (19:30 – 21.00) was made by “Ain´t No Mountain High Enough” by The Mamas and Västerås´i Symphony Orchestra.
See more: a brief society gallery from the gala guests (a.k.a. five minutes before the concert in the hallway and the hall) is soon available at NordenBladet entertainment pages Ohmygossip.

Photography and text: NordenBladet / Helena-Reet Ennet

TWO-WEEK road trip with children to Finland – the planning of the trip, the route, and travel blog with photos

NordenBladet – Travelling in the Nordic countries is safe and within a short time you are able to visit several sightseeings. The Nordic people themselves prefer to travel more and more in the home country and other Nordic countries since the native culture, the beautiful nature, the high quality services and modern opportunities outmatch any distant journey.

NordenBladet journalists bring the best travel blogs and the most interesting events throughout Scandinavia as well as more broadly the Nordic countries to the Nordic reader in four languages (English, Finnish, Swedish, Estonian). Our travel rubrics are read by more than 750 000 readers monthly. So what is it that makes the Northern countries so mystical and interesting? The answer is simple – the many centuries of local culture and intact nature! The affection towards your cultural heritage and the desire to preserve it for your children is ingrained deep inside every long time Nordic inhabitant. The weather is less and less the object of whining since there are plenty of exciting things to do around the year in the Nordic countries.

In this blog I give a glimpse and an overview about the two-week holiday travel in Finland. A similar travel would be easy to plan for Estonian, Swedish, Norwegian as well as Finnish citizens themselves, because the departure need not be just Helsinki but also elswhere. The Nordic countries enjoy well built roads and crossing the borders inside Scandinavia is convenient when you are local.

Why choose travelling by car?
When travelling with children there will always be a lot of luggage and since the car carries the luggage you have less worries. Travelling by car you will be able to plan the time and make stops whenever you feel like. I also like that you will be able to see places that the typical tourist won’t visit. The brightest and most memorable recollections are from completely random places where as a member of a group of tourists you would never end up. HERE I have brought out eight reasons why it is great to travel by car in the Nordic countries.

How to plan a road trip?
The planning of a road trip is by large like the planning of any other travel. Settle the destinations that you wish to visit. Find out more about those places – what are the sightseeings, where they are located, what do they cost, where you can dine and where you can find accommodation. It is reasonable to write down the most important information, this makes it easy to grasp everything while on the road. One thing I have repeatedly realized is that though it might seem comfortable just in case to take along as many things as possible, it is still wiser to make a list and bring with you only the inevitable – the less the easier! It is also reasonable to pack the suitcases so that when going to the hotel in the evening you needn’t bring with you the entire luggage every time – sort all the clothes and things so that you can leave some in the luggage room of the car. During the road trip it is also important to keep an eye on the gas display – in the countryside the distances are greater and there are less petrol stations and shops – not to remain on the road you would rather need to refuel often.

For these two weeks I made the following schedule:
Day 1, October 20, Helsinki-Tampere
2 hrs 26 min (2016.8 km) via Route 25 or E12
accommodation: hotel booked in advance
sightseeings and noteworthy spots to be visited on the way: a printed list prepared
lunch: on the road (approximate cost XX)
dinner: in the hotel or in Tampere town (approximate cost XX)

This way I prepared information for each day (how long to drive every day, how long it will take and what we could visit. When driving alone it is wise to drive no longer than five hours daily, and sometimes it is wise to take days off to stay at the same place for many days. Even when driving just a couple hundred kilometres per day it will become boring for yourself as well as the kids. I divided the travel distance so that along the driving part we also spent time off the road in the same location for some time. Besides the distances from one town to another you would need to also consider the driving around in the settlements, and also on the road you might like to digress from time to time to side streets. As we took pictures practically on every step then we also preplanned the time for taking selfies and making posts to Instagram. The best kind of travel is one where you needn’t be stressed about the time schedule and thus is is reasonable not to overbook the days and even leave extra time for each activity.

How much does it cost to travel in Finland for two weeks?
That’s a good question. By and large the cost is built up in the following way: transport (gas), accommodation (hotel* or airbnb*), meals (breakfast in the hotel or the food you have taken along, lunch on the road, dinner in a restaurant), the sightseeings and the spare time (museum tickets, visits to tourist attractions, SPA tickets), shopping (souvenirs, clothes, etc). Shopping is often not a preplanned part of travelling, but it tends to be that it rarely happens that one travels without any shopping, especially during a vacation travel. In my travel blogs I have outlined the petrol prices, the hotel costs, the restaurants expenditures, etc. Since obviously the maximum cost may vary from traveller to traveller, then I suggest setting the minimum costs: daily food (ca 20-30 EUR per person/daily), hotel accommodation 150 EUR (two adults and one child or one adult with two children). In the restaurants the price levels are roundly the following: main course (from 20-40 EUR); salad (from 15-25 EUR), in the cafes and department store dining places the prices are better.

The three of us practically circled Finland withing these 12 days, taking stops in Levi, Rovaniemi, and Kuopio for two nights, in other destinations one night. On this image you’ll see our exact travel route. Below there are all the travel blog posts made during the journey. The blog posts, as usual, can be read in four languages (see NordenBladet.ee; NordenBladet.com; NordenBladet.se and from NordenBladet.fi the Helena-Reet blog section)!
 

2 weeks in Finland – itinerary, travel posts and travel galleries by Helena-Reet Ennet

Helena-Reet: A big trip to Finland coming up next week! Searching for extremeness and ultimate luxury
https://nordenbladet.com/articles/69713-helena-reet-a-big-trip-to-finland-coming-up-next-week-searching-for-extremeness-and-ultimate-luxury

Helena-Reet: With children on a road trip around Finland – DONE! (VOL1: Tallinn-Helsinki-Nurmijärvi-Riihimäki-Hämeenlinna-Tampere) + PHOTOS!
https://nordenbladet.com/articles/69773-helena-reet-with-children-on-a-road-trip-around-finland-done-vol1-tallinn-helsinki-nurmijarvi-riihimaki-hameenlinna-tampere-photos

Helena-Reet: Around Finland on a road trip with children (VOL2: Impressions from Tampere – sightseeings and a lot more) + TRAVEL PHOTOS!
https://nordenbladet.com/articles/69782-helena-reet-around-finland-on-a-road-trip-with-children-vol2-impressions-from-tampere-sightseeings-and-a-lot-more-travel-photos

Helena-Reet: With children on a road trip around Finland (VOL3: Vaasa – ruins of Korsholm castle, Mannerheim, Airbnb renthouse etc) + PHOTOS!
https://nordenbladet.com/articles/69820-helena-reet-with-children-on-a-road-trip-around-finland-vol3-vaasa-ruins-of-korsholm-castle-mannerheim-airbnb-renthouse-etc-photos

Helena-Reet: With children on a road trip around Finland (VOL4: Journey from Vöyri near Vaasa and through Kokkola and Kalajoki Oulu and the evening in SPA) + PHOTOS!
https://nordenbladet.com/articles/69823-helena-reet-with-children-on-a-road-trip-around-finland-vol4-journey-from-voyri-near-vaasa-and-through-kokkola-and-kalajoki-oulu-and-the-evening-in-spa-photos

Helena-Reet: With children on a road trip around Finland (VOL5 – Oulu sightseeings, Kemi, Tornio and the journey through Kolari to Levi) + MANY PHOTOS & INFOLINKS!
https://nordenbladet.com/articles/69828-helena-reet-with-children-on-a-road-trip-around-finland-vol5-oulu-sightseeings-kemi-tornio-and-the-journey-through-kolari-to-levi-many-photos-infolinks

Helena-Reet: With children on a road trip around Finland (VOL6 – Levi Hotel SPA in Sirkka, restaurant Kekäle, magnificent nature, ski slopes, etc) + MANY PHOTOS!
https://nordenbladet.com/articles/69835-helena-reet-with-children-on-a-road-trip-around-finland-vol6-levi-hotel-spa-in-sirkka-restaurant-kekale-magnificent-nature-ski-slopes-etc-many-photos

Helena-Reet: With children on a road trip around Finland (VOL7 – from Kittilä to Rovaniemi, Santa Claus Holiday Village etc) + TRAVEL PHOTOS!
https://nordenbladet.com/articles/69909-helena-reet-with-children-on-a-road-trip-around-finland-vol7-from-kittila-to-rovaniemi-santa-claus-holiday-village-etc-travel-photos

Helena-Reet: With children on a road trip around Finland (VOL8 – from Rovaniemi through Ranua, Pudasjärvi and Puolanka to Kajaani) + PHOTOS!
https://nordenbladet.com/articles/69912-helena-reet-with-children-on-a-road-trip-around-finland-vol8-from-rovaniemi-through-ranua-pudasjarvi-and-puolanka-to-kajaani-photos

Helena-Reet: With children on a road trip around Finland (VOL9 – Central Finland, Kajaani) the sightseeings + travel photos!
https://nordenbladet.com/articles/69915-helena-reet-with-children-on-a-road-trip-around-finland-vol9-central-finland-kajaani-the-sightseeings-travel-photos

Helena-Reet: With children on a road trip around Finland (VOL 10 – in Central Finland, Kuopio) Sightseeings + Travel photos!
https://nordenbladet.com/articles/69932-helena-reet-with-children-on-a-road-trip-around-finland-vol-10-in-central-finland-kuopio-sightseeings-travel-photos














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Finland: Helsinki Fashion Week (HFW) brought sustainable style to the city for the third time

NordenBladet – This year Helsinki Fashion Week took place from 19th to 22nd of July, in four locations in Helsinki. The fashion shows took place in the Palace of Nobility, Wanha Satama and Clarion hotel Helsinki. Talk panels were also held in these places and keynotes were held at Elisa Kulma, witch is an official partner of HFW.

A “Bio-Playground”, including photographs, clothes and sustainable fabrics was showcased at Wanha Satama where among others, a hundred percent vegan “leather” was displayed by Ultrafabrics inc.

The process and material for making this special leather like fabric were displayed as well, and attendants had a chance to view the fabric under a microscope.

Clarion Hotel Helsinki was the venue of a designer showroom, where this years designers had put their clothes on display, allowing the audience a closer look and touching the fabrics of what had just been showcased on the runway.

A combination of activities were provided at the garden of Palace of Nobility, nicknamed “Ecosphere” for this event, where anyone could sit on a garden bench and enjoy tea, or participate in a yoga session or a kombucha workshop. Kombucha is a tea based drink that is brewed using Scoby yeast. Participants were given a bottle of kombucha that they could flavour with ingredients like lemon, ginger, strawberries, mint and spruce sprouts to mention a few.

Designers based in Berlin, London, Taipei, Seoul and other fashion capitals, put on amazing shows, displaying their innovative clothing, which of course, were all sustainably made.

The very first show of the fashion week was by Finnish designer Veera Konga. Therapy Recycle + Exorcise from Berlin had a collection with a lot of straps, neon colours and camouflage print presented later that day.

Saturdays last show by Patrick McDowell was memorable both for the set up and the designs. The show was held outdoors at seaside at Clarion Hotel, with an amazing sea view. A drag queen was dancing on a sea scout boat. The theme of the show was firefighters, with one of the models was wearing a firefighter helmet decorated with rhinestones.

Sunday started with a show from Kata Szegedi at Wanha Satama, and later that day a Finnish designer duo Burlesque Tsunami, impressed the audience with a unique, colourful and playful style of design. The HFW presented five shows a day with over 17 designers presenting their collections. Mondays was the exception with 3 shows, the first of which was by Sanikai, known for its simple and elegant style. The fashion week was closed with a runway show from Bleu Chose.

Helsinki Fashion week is a pioneer in sustainable fashion. All the clothes on display were made from recycled and sustainable materials, the makeup and hair products used were also vegan. The food was made from food waste and the water was brought by HSY, the waste management and recycling arm of the city of Helsinki. People and the staff could ride Voi scooters, which was collaboration partner of the event, from one place to another. Helsinki Fashion Week proved once again that fashion and sustainability can go hand in hand. All it takes is conscious everyday choices and the passion to have a lifestyle better for the environment.

LIST of the Richest Countries in the World: Norway is the second richest in the world

NordenBladet – The GDP of Norway ranks as the second largest in the world. Back in 2017, Norway’s GDP registered as 74,571 USD and 2018 by Worls Bank report Norway was the richest.

By looking at the GDP per capita, or gross domestic product per capita, of each country around the globe, it is possible to rank countries based on wealth and then compare them to each other. From there, you can determine which countries are wealthiest and then list the countries in descending order, from richest to poorest. Here is the conclusive list of the top fifty richest countries in the world, starting with the wealthiest country… (The Nordic countries are highlighted in blod letters)

TOP50

1. Luxembourg (GDP per capita: $119,719)
2. Norway (GDP per capita: $86,362)
3. Switzerland (GDP per capita: $83,832)
4. Ireland (GDP per capita: $81,477)
5. Iceland (GDP per capita: $78,181)
6. Qatar (GDP per capita: $65,062)
7. The United States of America (GDP per capita: $64,906)
8. Denmark (GDP per capita: $63,434)
9. Singapore (GDP per capita: $62,690)
10. Australia (GDP per capita: $58,824)
11. Sweden (GDP per capita: $57,945)
12. The Netherlands (GDP per capita: $56,415)
13. Austria (GDP per capita: $54,606)
14. Finland (GDP per capita: $52,320)
15. Germany (GDP per capita: $51,642)
16. Hong Kong (GDP per capita: $50,216)
17. Belgium (GDP per capita: $49,095)
18. Canada (GDP per capita: $48,604)
19. France (GDP per capita: $45,586)
20. The United Kingdom (GDP per capita: $45,491)
21. Japan (GDP per capita: $41,834)
22. The United Arab Emirates (GDP per capita: $38,961)
23. Italy (GDP per capita: $36,061)
24. Korea (GDP per capita: $33,495)
25. Spain (GDP per capita: $33,151)
26. Puerto Rico (GDP per capita: $32,705)
27. Malta (GDP per capita: $32,130)
28. Brunei (GDP per capita: $30,297)
29. Cyprus (GDP per capita: $29,224)
30. Kuwait (GDP per capita: $28,394)
31. Slovenia (GDP per capita: $28,247)
32. Taiwan (GDP per capita: $26,309)
33. Bahrain (GDP per capita: $26,083)
34. The Czech Republic (GDP per capita: $25,468)
35. Portugal (GDP per capita: $24,312)
36. Estonia (GDP per capita: $24,043)
37. Saudi Arabia (GDP per capita: $22,368)
38. Slovakia (GDP per capita: $21,278)
39. Greece (GDP per capita: $21,274)
40. Lithuania (GDP per capita: $20,644)
41. Latvia (GDP per capita: $18,861)
42. Trinidad and Tobago (GDP per capita: $18,018)
43. Uruguay (GDP per capita: $17,772)
44. Oman (GDP per capita: $17,668)
45. Chile (GDP per capita: $16,914)
46. Hungary (GDP per capita: $16,852)
47. Poland (GDP per capita: $16,782)
48. Panama (GDP per capita: $16,576)
49. Croatia (GDP per capita: $15,878)
50. Romania (GDP per capita: $13,229)

Location is a major main player in the overall wealth of a country. Third-world countries in Asia, for example, do not rank very well when GDP is the variable in consideration. If access to certain items and necessities is restricted, then people are already working with a strong disadvantage. Places that are not war-stricken or already burdened with a less-than-ideal economy are not set up to do well in the competition of gross domestic products between countries.

This is why, when looking at the list of the wealthiest countries in the world, you’ll find that places where trade or massive production is a main source of income rank higher on the list. The poorer countries are less involved in global trading, and they are more independent in the sense that their direct involvement in international affairs is lesser than the wealthier countries. This is because money and power are so naturally interwoven, which contributes to the overall wealth and GDP of a country.

Featured image: Vågan, Norway (Pexels/Tobias Bjørkli)